آموزش داوینچی ریزالو – صفحه رنگ ها

Linkedin – DaVinci Resolve Color Page

DaVinci Resolve is a leading professional color grading solution used for digital intermediates (the digital color grading of film-acquired sources, to be printed back out to film for theatrical exhibition). It’s not surprising that its color management tools are used every day in major film productions all over the world.

In this course, professional colorist Patrick Inhofer takes an extensive look at the color page in DaVinci Resolve, starting with the settings and preferences that have a significant impact on color manipulations.

He then covers the concept of primary corrections and the tools used for establishing a base color correction, as well as secondary corrections and how to isolate and minimize problematic areas of the image.
Patrick also shows how to combine primary and secondary color operations to enhance viewer engagement, and shares tips for improving your shot-matching skills to help your story have a better visual flow.

Contents :

Introduction
Course overview and prior experience
Using the exercise files
An overview of the color grading process
Related series for important Color page topics
1. Introduction to Using the Color Page
The Color page layout
Evaluating the footage and master settings
Preparing the project and user preferences
Manipulating the viewer
The Color page timeline and thumbnails
Thumbnail timeline filtering
DaVinci Resolve YRGB image processing
DaVinci Resolve YRGB color management (R17+)
Masking to a specific aspect ratio
2. Primary Color Correction: Fundamentals
Primary corrections vs. secondary corrections
Primaries bars adjustments: Lift, gamma, gain
Primaries bars adjustments: Offset
Making global color adjustments in the Primaries palette
Making global contrast adjustments in the Primaries palette
Global adjustments in the HDR palette
Temperature and tint adjustments in the HDR palette
Contrast, pivot, exposure, and saturation in the HDR palette
Using custom curves for primary corrections
Using the RGB Mixer to solve global problems
Using the stabilizer on the Color page
Blur palette 101
Midtone detail
Camera RAW 101: Project settings
Camera RAW 101: The Camera RAW palette
3. Using the Node Editor: Fundamentals
A node is a thought
Nodes 102: Organizing your workflow using a structured node tree
The Layer Mixer node and serial nodes
The Parallel Mixer node and serial nodes
Adding keyframes to individual nodes in the Color page
“Dialing down” a serial node using the Key Mixer
Structured node trees
4. Secondary Color Correction: Fundamentals
What tools are associated with secondary corrections?
Using the Primaries palette for targeted adjustments
Using custom curves for targeted corrections
Fixing common saturation problems using curves
Selecting colors using the Qualifier palette
Refining your selection range in the Qualifier palette
An introduction to the 3D qualifier
Power Windows 102
Tracker 102: Frame mode
Conclusion
Final thoughts on structured node trees
Order of operations using primary and secondary corrections
Additional resources