Digital Audio Foundations
Learn everything you need to know about working with digital audio. In this flagship course, author Matt Mayfield demonstrates a wide array of audio and music fundamentals.
The lessons are designed for new musicians, songwriters, producers, and engineers; those making the leap from analog to digital; and professionals who need to brush up on a concept or two.
The course starts with explanations of what sound really is and how we hear it, including discussions on frequency, amplitude, phase, and psychoacoustics. Matt explores analog audio signal path, explaining connections, gain staging, and metering.
Next, he brings the audio signal into the digital domain, discussing analog to digital conversion, digital gain staging, file formats and compression, and dither.
Then the course digs into digital audio workstations (DAWs), explaining the concepts and misconceptions involved in digital recording systems.
Matt describes how memory, CPU speed, and storage affect your DAW’s performance, as well as how to manage computer resources and understand the plethora of file formats associated with digital recording.
He follows with an overview of MIDI: how to generate, store, process, and communicate MIDI data. He wraps up with the audio processors that are often used for mixing in a DAW—including EQ, compressors, reverb, delay, and many others.
Contents :
Introduction
Welcome
1. Concepts of Sound
What is sound made of?
Frequency and amplitude
Phase and time
How do we hear?
The acoustic, analog, and digital domains
2. The Signal Path: Acoustic and Analog
Overview of a signal path
Getting sound into the analog domain
Types of analog connections
Gain stages in the analog domain
Metering
Getting sound back to the acoustic domain
3. The Signal Path: Digital
Adding the digital domain
Analog to digital conversion
Gain stages in the digital domain
Dither
Digital to analog conversion
Digital formats and data compression
How digital connections work
4. Digital Audio Workstations
Introducing the DAW
Types of DAWs
Effects plugins and virtual instruments
Managing computer resources
5. MIDI
MIDI: Recording performances, not sounds
How MIDI is communicated
Storing and processing MIDI
6. Mixing and Processing Audio
Levels, pan, and automation
Monitoring levels while mixing
Partials, harmonics, and equalization (EQ)
Types of EQ components
Compression and other dynamic processing
Threshold, ratio, and four types of dynamic processors
Attack and release in dynamic processors
Reverb
Characteristics of analog and digital
Conclusion
Next steps
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