دوره آموزش ریگینگ صورت در مایا

Linkedin – Maya Facial Rigging

Rigging is a crucial step in character development and animation. A rig is the interface that dictates how your character moves and acts. And nowhere is this more important than the face: the window to your character’s inner life.

This course teaches you how to rig facial features for natural movement and expression using one of the leading 3D toolsets: Autodesk Maya. Instructor George Maestri shows how to prepare an existing model for rigging, use blend shapes to morph different facial features, and add joints to manipulate the face.
He then dives into a real-world project, taking a model and rigging the head, eyes, and mouth controls.
Finally, get tips for using different kinds of tools—constraints and clusters—to provide even more fine-grained control over facial movement.

Contents :

Introduction
Camera techniques in Maya
Using the exercise files
1. Camera Basics
Understanding the Maya camera
Creating a one-node camera
Color settings preferences
Controlling wireframe colors with Drawing Overrides
Working with orthographic cameras
Adding orthographic cameras
Reverting camera movements with Undo View Change
Using view bookmarks
Navigating with specialized camera tools
Cropping geometry with clip planes
Copying parameters with Attribute Editor presets
2. Composition
Conceptualizing renderable cameras
Creating a Camera and Aim
Using Camera and Aim
Precise framing with Resolution Gate
Setting display options
Duplicating Camera and Aim
Composing conventional cinematic framings
Adjusting focal length and angle of view
Aesthetics of distance and field of view
Locking down cameras
3. Simple Camera Animation
Problems with animating Camera and Aim position
Problems with animating camera rotation
Rotating in Gimbal Mode
Setting rotate axis order
Horizontal movement with pan or truck
Animating diagonal translation with a single channel
Vertical movement with tilt or pedestal
Dolly movement vs. zoom magnification
4. Compound Camera Animation
Animating a truck-pan
Animating a pedestal-tilt
Animating a zolly (zoom-dolly)
Rigging and animating a crane shot
Animating an aerial shot with Transform Keyframes
Adjusting position keys with Editable Motion Trail
Automating camera shake with a noise expression
Orbiting a subject with a turntable camera
5. Special Effects
Creating an image plane
Understanding the film back
Using aperture and film gate
Film offset for two-point perspective
Composing an isometric view
Projecting a texture from a camera
Distance blur with depth of field
Animating a rack focus effect
Rendering depth of field in Arnold
Rendering lens effects with Arnold imagers
6. Non-Linear Editing With the Camera Sequencer
Understanding the Camera Sequencer
Creating shots in the Camera Sequencer
Trimming shots
Ripple editing
Creating an ubercam
Playblasting a sequence
Conclusion